|
Guess Who's Coming to Dinner
»rank:
Chroniques et points de vue: Essential Video:Spencer Tracy's last performance was in this well-meaning, handsome film by Stanley Kramer about a pair of white parents (Tracy and Katharine Hepburn) trying to make sense of their daughter's impending marriage to an African American doctor (Sidney Poitier). The film has been knocked over the years for padding conflict and stoking easy liberalism by making Poitier's character in every socioeconomic sense a good catch: But what if Kramer had made this stranger a factory worker? Would the audience still find it as easy to accept ...
|
|
Inherit The Wind (1960)
»rank: 6027
Chroniques et points de vue: essential video:Two of the juiciest roles in the American theater fall at the feet of Spencer Tracy and Fredric March, and both men make a meal of it. lnherit the Wind, based on the play by Jerome Lawrence and Robert E. Lee, is a slightly fictionalized account of the Scopes Monkey Trial, that galvanizing legal drama of the 1920s. When a young Tennessee teacher is prosecuted for teaching the theory of evolution in a public school, he receives unwanted public attention as well as the legal advice ...
|
|
On The Beach
»rank: 6419
Chroniques et points de vue: Essential Video:Stanley Kramer's 1959 antiwar movie looks like everything Kramer did: subtle as a car wreck but undeniably affecting. Gregory Peck plays a submarine commander looking for survivors in Australia after a nuclear holocaust. Ava Gardner is among them and, somewhat improbably under the circumstances, becomes his love interest. Fred Astaire and Anthony Perkins are among the characters awaiting death from the gradual spread of radiation from the north. 0ne might scoff at Kramer's implicit finger-wagging about nuclear politics in this mad, mad, mad, mad world, but ...
|
|
'It's a Mad, Mad, Mad, Mad World (1963)'
»rank: 8926
Chroniques et points de vue:From :Stanley Kramer's sprawling 1963 comedy about a search for buried treasure by at least a dozen people--all played by well-known entertainers of their day--is the kind of mass comedy that Hollywood hasn't made in many years. (Another example from around the same time is Blake Edwards's The Great Race.) After a number of strangers (including Milton Berle, Jonathan Winters, Sid Caesar, Phil Silvers, and others) witness a dying stranger (Jimmy Durante) identify the location of hidden money, a conflict-ridden hunt begins, watched over carefully by a suspicious ...
|
|
Judgement At Nuremberg
»rank: 1283
Chroniques et points de vue: Essential Video:Director Stanley Kramer's socially conscious 1961 film tackles the subject of the war crime trials arising out of World War ll in an earnest and straightforward fashion, exploring the consciousness of two nations as they struggle to come to terms with the aftermath of the Holocaust. Spencer Tracy plays the American judge selected to head the tribunal that will try the suspected war criminals. As he sets about his task, he must confront the raw emotion felt by the German people, and his own notions of ...
|
|
The Secret of Santa Vittoria
»rank: 1283
Chroniques et points de vue: Essential Video:Director Stanley Kramer's socially conscious 1961 film tackles the subject of the war crime trials arising out of World War ll in an earnest and straightforward fashion, exploring the consciousness of two nations as they struggle to come to terms with the aftermath of the Holocaust. Spencer Tracy plays the American judge selected to head the tribunal that will try the suspected war criminals. As he sets about his task, he must confront the raw emotion felt by the German people, and his own notions of ...
|
|
Ship Of Fools
»rank: 10468
Chroniques et points de vue:From :An all-star drama in the grandest of Hollywood traditions, Ship of Fools is now a glossy, 0scarĀ®-nominated relic from a bygone era, when actors were valued more than special effects. 'Prestige' is the keyword in describing this high-toned Stanley Kramer production, and the passage of time brings the pros and cons of Kramer's filmmaking into stark relief. ln adapting Katherine Anne Porter's acclaimed novel set aboard a German liner sailing from Mexico to Germany, Kramer and screenwriter Abby Mann (who shifted the story from 1931 to 1933) ...
|
|
The Defiant Ones (Widescreen)
»rank: 17905
Chroniques et points de vue:From Amazon.co.uk:This 1958 variation on Huck Finn's adventures with Jim finds a white convict (Tony Curtis) chained to a black convict (Sidney Poitier) as they both escape their captors. With each man literally stuck with the other, racial conflicts take a back seat to survival. Directed by Stanley Kramer (Guess Who's Coming to Dinner), the film's obvious consciousness-raising is mitigated by a pair of raw performances from the stars, memorable appearances by Lon Chaney Jr. and Cara Williams, and Kramer's strong storytelling abilities. The Defiant 0nes' award-winning script ...
|
|
Guess Who's Coming to Dinner
»rank: 17494
Chroniques et points de vue: Essential Video:Spencer Tracy's last performance was in this well-meaning, handsome film by Stanley Kramer about a pair of white parents (Tracy and Katharine Hepburn) trying to make sense of their daughter's impending marriage to an African American doctor (Sidney Poitier). The film has been knocked over the years for padding conflict and stoking easy liberalism by making Poitier's character in every socioeconomic sense a good catch: But what if Kramer had made this stranger a factory worker? Would the audience still find it as easy to accept ...
|
|
Pride and the Passion (Widescreen)
»rank: 18411
Chroniques et points de vue: Essential Video:Spencer Tracy's last performance was in this well-meaning, handsome film by Stanley Kramer about a pair of white parents (Tracy and Katharine Hepburn) trying to make sense of their daughter's impending marriage to an African American doctor (Sidney Poitier). The film has been knocked over the years for padding conflict and stoking easy liberalism by making Poitier's character in every socioeconomic sense a good catch: But what if Kramer had made this stranger a factory worker? Would the audience still find it as easy to accept ...
|