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Pink Floyd: The Wall
»rank:
Chroniques et points de vue:From :By any rational measure, Alan Parker's cinematic interpretation of Pink Floyd: The Wall is a glorious failure. Glorious because its imagery is hypnotically striking, frequently resonant, and superbly photographed by the gifted cinematographer Peter Biziou. And a failure because the entire exercise is hopelessly dour, loyal to the bleak themes and psychological torment of Roger Waters's great musical opus, and yet utterly devoid of the humor that Waters certainly found in his own material. Any attempt to visualize The Wall would be fraught with artistic danger, and Parker succumbs ...
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Seabiscuit (Full Screen)
»rank: 1796
Chroniques et points de vue:From :By any rational measure, Alan Parker's cinematic interpretation of Pink Floyd: The Wall is a glorious failure. Glorious because its imagery is hypnotically striking, frequently resonant, and superbly photographed by the gifted cinematographer Peter Biziou. And a failure because the entire exercise is hopelessly dour, loyal to the bleak themes and psychological torment of Roger Waters's great musical opus, and yet utterly devoid of the humor that Waters certainly found in his own material. Any attempt to visualize The Wall would be fraught with artistic danger, and Parker succumbs ...
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Seabiscuit (Widescreen)
»rank: 13437
Chroniques et points de vue:From :By any rational measure, Alan Parker's cinematic interpretation of Pink Floyd: The Wall is a glorious failure. Glorious because its imagery is hypnotically striking, frequently resonant, and superbly photographed by the gifted cinematographer Peter Biziou. And a failure because the entire exercise is hopelessly dour, loyal to the bleak themes and psychological torment of Roger Waters's great musical opus, and yet utterly devoid of the humor that Waters certainly found in his own material. Any attempt to visualize The Wall would be fraught with artistic danger, and Parker succumbs ...
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Jekyll and Hyde Together Again
»rank: 13437
Chroniques et points de vue:From :By any rational measure, Alan Parker's cinematic interpretation of Pink Floyd: The Wall is a glorious failure. Glorious because its imagery is hypnotically striking, frequently resonant, and superbly photographed by the gifted cinematographer Peter Biziou. And a failure because the entire exercise is hopelessly dour, loyal to the bleak themes and psychological torment of Roger Waters's great musical opus, and yet utterly devoid of the humor that Waters certainly found in his own material. Any attempt to visualize The Wall would be fraught with artistic danger, and Parker succumbs ...
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![Ghostbusters [UMD for PSP]](http://ecx.images-amazon.com/images/I/51BBS863X4L._SL160_.jpg)
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Ghostbusters [UMD for PSP]
»rank: 2102
Chroniques et points de vue: Essential Video:Dan Aykroyd and Harold Ramis wrote the script, but Bill Murray gets all the best lines and moments in this 1984 comedy directed by lvan Reitman (Meatballs). The three comics, plus Ernie Hudson, play the New York City-based team that provides supernatural pest control, and Sigourney Weaver is the love interest possessed by an ancient demon. Reitman and company are full of original ideas about hobgoblins--who knew they could 'slime' people with green plasma goo?--but hovering above the plot is Murray's patented ironic view of all the action. ...
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License To Drive
»rank: 11727
Chroniques et points de vue: Essential Video:Dan Aykroyd and Harold Ramis wrote the script, but Bill Murray gets all the best lines and moments in this 1984 comedy directed by lvan Reitman (Meatballs). The three comics, plus Ernie Hudson, play the New York City-based team that provides supernatural pest control, and Sigourney Weaver is the love interest possessed by an ancient demon. Reitman and company are full of original ideas about hobgoblins--who knew they could 'slime' people with green plasma goo?--but hovering above the plot is Murray's patented ironic view of all the action. ...
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The Star Chamber
»rank: 11727
Chroniques et points de vue: Essential Video:Dan Aykroyd and Harold Ramis wrote the script, but Bill Murray gets all the best lines and moments in this 1984 comedy directed by lvan Reitman (Meatballs). The three comics, plus Ernie Hudson, play the New York City-based team that provides supernatural pest control, and Sigourney Weaver is the love interest possessed by an ancient demon. Reitman and company are full of original ideas about hobgoblins--who knew they could 'slime' people with green plasma goo?--but hovering above the plot is Murray's patented ironic view of all the action. ...
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![Superman: The Movie [Blu-ray]](http://ecx.images-amazon.com/images/I/514XD0KT0CL._SL160_.jpg)
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Superman: The Movie [Blu-ray]
»rank: 17526
Chroniques et points de vue:Additional Features:0nly the initial movie has been remixed and restored for this collection, and it features eight minutes of footage that was originally shown on television broadcasts in the 1980s. Also included are interviews made some 20 years after the original film, and screen tests from Reeve and Kidder--and other Lois Lanes such as Anne Archer and Stockard Channing who didn't make the final cut. --Doug Thomas Essential Video:Richard Donner's 1978 epic about the Man of Steel showed how a film about a superhero could be a moving and ...
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All of Me
»rank: 9918
Chroniques et points de vue:From :Steve Martin takes his wild and crazy persona and splits it into a hilarious battle of the sexes within the same body. Ambitious attorney Roger Cobb is assigned to alter the will of ailing millionaire Edwina Cutwater (Lily Tomlin), who wishes to bequeath her estate to a healthy young woman (Victoria Tennant)--after Cutwater's guru transfers the old eccentric's soul to her healthy body. No one believes for a second it will actually work, until Ms. Cutwater awakens in Roger's body and he becomes, literally, a man possessed, fighting for ...
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WarGames (Widescreen)
»rank: 11035
Chroniques et points de vue:From :Cute but silly, this 1983 cautionary fantasy stars Matthew Broderick as a teenage computer genius who hacks into the Pentagon's defense system and sets World War lll into motion. All the fun is in the film's set-up, as Broderick befriends Ally Sheedy and starts the international crisis by pretending while online to be the Soviet Union. After that, it's not hard to predict what's going to happen: government agents swoop in, but the story ends up in the 'hands' of machines talking to one another. Thus we're stuck with ...
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