|
Two or Three Things I Know About Her
»rank:
|
|
Breathless
»rank: 413
Chroniques et points de vue: essential video:The movie that heralded the French New Wave movement, this lean and exciting 1959 film directed by Jean-Luc Godard (A Woman ls a Woman, Weekend) broke new ground not only in its unorthodox use of editing and hand-held photography, but in its unflinching and nonjudgmental portrayal of amoral youth. Jean-Paul Belmondo and Jean Seberg play two young lovers on the run from the law after Belmondo ...
|
|
Band of Outsiders
»rank: 7221
Chroniques et points de vue: essential video:Described by its maker, Jean-Luc Godard, as 'Alice in Wonderland meets Franz Kafka,' this 1964 film noir stars Anna Karina as a naive woman who takes up with couple of would-be bad guys (Claude Brasseur, Sami Frey) in a disastrous effort to rob her aunt of a fortune. Along the way, the motley group joins the Godardian (and Hollywood gangster) tradition of characters who walk a ...
|
|
Une Femme Mariee
»rank: 7221
Chroniques et points de vue: essential video:Described by its maker, Jean-Luc Godard, as 'Alice in Wonderland meets Franz Kafka,' this 1964 film noir stars Anna Karina as a naive woman who takes up with couple of would-be bad guys (Claude Brasseur, Sami Frey) in a disastrous effort to rob her aunt of a fortune. Along the way, the motley group joins the Godardian (and Hollywood gangster) tradition of characters who walk a ...
|
|
Breathless
»rank: 9310
Chroniques et points de vue: essential video:The movie that heralded the French New Wave movement, this lean and exciting 1959 film directed by Jean-Luc Godard (A Woman ls a Woman, Weekend) broke new ground not only in its unorthodox use of editing and hand-held photography, but in its unflinching and nonjudgmental portrayal of amoral youth. Jean-Paul Belmondo and Jean Seberg play two young lovers on the run from the law after Belmondo ...
|
|
Tout Va Bien (Criterion Collection)
»rank: 15021
Chroniques et points de vue: essential video:The movie that heralded the French New Wave movement, this lean and exciting 1959 film directed by Jean-Luc Godard (A Woman ls a Woman, Weekend) broke new ground not only in its unorthodox use of editing and hand-held photography, but in its unflinching and nonjudgmental portrayal of amoral youth. Jean-Paul Belmondo and Jean Seberg play two young lovers on the run from the law after Belmondo ...
|
|
Le Petit Soldat
»rank: 17136
Chroniques et points de vue: essential video:The movie that heralded the French New Wave movement, this lean and exciting 1959 film directed by Jean-Luc Godard (A Woman ls a Woman, Weekend) broke new ground not only in its unorthodox use of editing and hand-held photography, but in its unflinching and nonjudgmental portrayal of amoral youth. Jean-Paul Belmondo and Jean Seberg play two young lovers on the run from the law after Belmondo ...
|
|
A Woman Is a Woman
»rank: 17136
Chroniques et points de vue: Essential Video:0ne of the landmark early films of the French New Wave, director Jean-Luc Godard (Breathless) weaves a tale of desperation and deceit. Anna Karina (Vivre Sa Vie) plays a stripper determined to have a child in the hopes that it will better her life. She tries in vain to convince her rough, selfish boyfriend (Jean-Paul Belmondo) to father the child, but he refuses. ln desperation and ...
|
|
Rolling Stones: Sympathy For The Devil
»rank: 16961
Chroniques et points de vue:From :This version of Jean-Luc Godard's 1968 0ne Plus 0ne caused a legendary confrontation at a film festival when the director became infuriated at his producer's decision to attach the Rolling Stones' completed song 'Sympathy for the Devil' at the film's end. Godard's own original plan had been to make a film of the Stones' construction of the tune in rehearsal, and intercut that with a story line ...
|
|
Its My Life
»rank: 19481
Chroniques et points de vue: Essential Video:Nana (Anna Karina) is a Parisian salesgirl who drifts into prostitution. The story is told in the form of a documentary, separated into 12 tableaux. Godard has said that the division into tableaux was to emphasize the theatrical nature of the film, and also because when you look at something for too long you end up knowing less about it. Breaking it up into bite-size chunks ...
|