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The Prince & Me
»rank:
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The Lookout
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Some Things That Stay
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Guilt By Association
»rank: 23173
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Hackers (Widescreen)
»rank: 23142
Chroniques et points de vue:From :As a depiction of the computer-hacker underground, this movie is bogus to the bone. As a thriller, it's cartoonish and conventional. The premise (computer-happy kids hack into the wrong system, and the Forces of Repression come after them) is recycled from John Badham's 1983 WarGames. And the corporate-creep bad guy, played by Fisher Stevens, steeples his fingers and growls mossy villainous clichés. ('By the time they realize the truth, we'll be long gone with all the money.') For all its postmodern trappings the movie is working with ...
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A Lobster Tale
»rank: 23142
Chroniques et points de vue:From :As a depiction of the computer-hacker underground, this movie is bogus to the bone. As a thriller, it's cartoonish and conventional. The premise (computer-happy kids hack into the wrong system, and the Forces of Repression come after them) is recycled from John Badham's 1983 WarGames. And the corporate-creep bad guy, played by Fisher Stevens, steeples his fingers and growls mossy villainous clichés. ('By the time they realize the truth, we'll be long gone with all the money.') For all its postmodern trappings the movie is working with ...
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After the Harvest
»rank: 23142
Chroniques et points de vue:From :As a depiction of the computer-hacker underground, this movie is bogus to the bone. As a thriller, it's cartoonish and conventional. The premise (computer-happy kids hack into the wrong system, and the Forces of Repression come after them) is recycled from John Badham's 1983 WarGames. And the corporate-creep bad guy, played by Fisher Stevens, steeples his fingers and growls mossy villainous clichés. ('By the time they realize the truth, we'll be long gone with all the money.') For all its postmodern trappings the movie is working with ...
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Deeply
»rank: 23142
Chroniques et points de vue:From :As a depiction of the computer-hacker underground, this movie is bogus to the bone. As a thriller, it's cartoonish and conventional. The premise (computer-happy kids hack into the wrong system, and the Forces of Repression come after them) is recycled from John Badham's 1983 WarGames. And the corporate-creep bad guy, played by Fisher Stevens, steeples his fingers and growls mossy villainous clichés. ('By the time they realize the truth, we'll be long gone with all the money.') For all its postmodern trappings the movie is working with ...
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Tart (Widescreen)
»rank: 23142
Chroniques et points de vue:From :As a depiction of the computer-hacker underground, this movie is bogus to the bone. As a thriller, it's cartoonish and conventional. The premise (computer-happy kids hack into the wrong system, and the Forces of Repression come after them) is recycled from John Badham's 1983 WarGames. And the corporate-creep bad guy, played by Fisher Stevens, steeples his fingers and growls mossy villainous clichés. ('By the time they realize the truth, we'll be long gone with all the money.') For all its postmodern trappings the movie is working with ...
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In Praise Of Older Women
»rank: 23142
Chroniques et points de vue:From :As a depiction of the computer-hacker underground, this movie is bogus to the bone. As a thriller, it's cartoonish and conventional. The premise (computer-happy kids hack into the wrong system, and the Forces of Repression come after them) is recycled from John Badham's 1983 WarGames. And the corporate-creep bad guy, played by Fisher Stevens, steeples his fingers and growls mossy villainous clichés. ('By the time they realize the truth, we'll be long gone with all the money.') For all its postmodern trappings the movie is working with ...
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