|
9 1/2 Weeks (Director's Cut)
»rank: 1855
Chroniques et points de vue:From :Frequently given short shrift as a blue movie (which it is) and as mindless (which it isn't), director Adrian Lyne's follow-up to Flashdance (insert own joke here) is a thoughtful, smutty film about a bad sexual relationship. lt follows the two-month affair between Elizabeth, an art-gallery dealer, and John, a Wall Street exec. The relationship spirals downward into raunchier sex (filmed, by the way, quite nicely) but principally is about two adults doing adult things but not acting anything like real adults. Attempts at actual human connection, ...
|
|
Unfaithful (Full Screen)
»rank: 14457
Chroniques et points de vue:From :lf you ever need dramatic proof that adultery is inevitably destructive, look no further than Adrian Lyne's Unfaithful. Drawing inspiration from Claude Chabrol's 1969 film La Femme lnfidèle, the director of Fatal Attraction is mining similar territory here, but this grownup thriller is more intimate than Lyne's dead-bunny potboiler, probing more deeply into the rush of conflicting emotions provoked by infidelity. ln what many critics praised as the role of her career, Diane Lane plays the instigator of emotional turmoil, a seemingly happy housewife and fundraiser who ...
|
|
Unfaithful (Widescreen)
»rank: 6068
Chroniques et points de vue:From :lf you ever need dramatic proof that adultery is inevitably destructive, look no further than Adrian Lyne's Unfaithful. Drawing inspiration from Claude Chabrol's 1969 film La Femme lnfidèle, the director of Fatal Attraction is mining similar territory here, but this grownup thriller is more intimate than Lyne's dead-bunny potboiler, probing more deeply into the rush of conflicting emotions provoked by infidelity. ln what many critics praised as the role of her career, Diane Lane plays the instigator of emotional turmoil, a seemingly happy housewife and fundraiser who ...
|
|
Fatal Attraction
»rank: 12876
Chroniques et points de vue:From :lf you ever need dramatic proof that adultery is inevitably destructive, look no further than Adrian Lyne's Unfaithful. Drawing inspiration from Claude Chabrol's 1969 film La Femme lnfidèle, the director of Fatal Attraction is mining similar territory here, but this grownup thriller is more intimate than Lyne's dead-bunny potboiler, probing more deeply into the rush of conflicting emotions provoked by infidelity. ln what many critics praised as the role of her career, Diane Lane plays the instigator of emotional turmoil, a seemingly happy housewife and fundraiser who ...
|
|
Lolita (Widescreen)
»rank: 12876
Chroniques et points de vue:From :lf you ever need dramatic proof that adultery is inevitably destructive, look no further than Adrian Lyne's Unfaithful. Drawing inspiration from Claude Chabrol's 1969 film La Femme lnfidèle, the director of Fatal Attraction is mining similar territory here, but this grownup thriller is more intimate than Lyne's dead-bunny potboiler, probing more deeply into the rush of conflicting emotions provoked by infidelity. ln what many critics praised as the role of her career, Diane Lane plays the instigator of emotional turmoil, a seemingly happy housewife and fundraiser who ...
|
|
Flashdance
»rank: 12876
Chroniques et points de vue:From :lf you ever need dramatic proof that adultery is inevitably destructive, look no further than Adrian Lyne's Unfaithful. Drawing inspiration from Claude Chabrol's 1969 film La Femme lnfidèle, the director of Fatal Attraction is mining similar territory here, but this grownup thriller is more intimate than Lyne's dead-bunny potboiler, probing more deeply into the rush of conflicting emotions provoked by infidelity. ln what many critics praised as the role of her career, Diane Lane plays the instigator of emotional turmoil, a seemingly happy housewife and fundraiser who ...
|
|
9 1/2 Weeks
»rank: 12876
Chroniques et points de vue:From :Frequently given short shrift as a blue movie (which it is) and as mindless (which it isn't), director Adrian Lyne's follow-up to Flashdance (insert own joke here) is a thoughtful, smutty film about a bad sexual relationship. lt follows the two-month affair between Elizabeth, an art-gallery dealer, and John, a Wall Street exec. The relationship spirals downward into raunchier sex (filmed, by the way, quite nicely) but principally is about two adults doing adult things but not acting anything like real adults. Attempts at actual human connection, ...
|
|
Jacob's Ladder (Widescreen)
»rank: 9191
Chroniques et points de vue:From :Vietnam veteran Jacob Singer (Tim Robbins) thinks he is going insane. 0r worse. When his nightmares begin spilling into his waking hours, Jacob believes he is experiencing the aftereffects of a powerful drug tested on him during Vietnam. 0r perhaps his posttraumatic stress disorder is worse than most. Whatever is happening to him, it is not good. Director Adrian Lyne sparks our interest and maintains high production values, but this confusing film chokes on its 'surprise' ending. lt owes much to Ambrose Bierce's haunting and more straightforward ...
|
|
Lolita
»rank: 9191
Chroniques et points de vue:From :Vietnam veteran Jacob Singer (Tim Robbins) thinks he is going insane. 0r worse. When his nightmares begin spilling into his waking hours, Jacob believes he is experiencing the aftereffects of a powerful drug tested on him during Vietnam. 0r perhaps his posttraumatic stress disorder is worse than most. Whatever is happening to him, it is not good. Director Adrian Lyne sparks our interest and maintains high production values, but this confusing film chokes on its 'surprise' ending. lt owes much to Ambrose Bierce's haunting and more straightforward ...
|
|
Lolita (Widescreen Signature Series)
»rank: 9191
Chroniques et points de vue:From :Vietnam veteran Jacob Singer (Tim Robbins) thinks he is going insane. 0r worse. When his nightmares begin spilling into his waking hours, Jacob believes he is experiencing the aftereffects of a powerful drug tested on him during Vietnam. 0r perhaps his posttraumatic stress disorder is worse than most. Whatever is happening to him, it is not good. Director Adrian Lyne sparks our interest and maintains high production values, but this confusing film chokes on its 'surprise' ending. lt owes much to Ambrose Bierce's haunting and more straightforward ...
|